1.0CEC ArtsLinkhttps://www.cecartslink.orgrich600338<blockquote class="wp-embedded-content" data-secret="tF9tfSCGEu"><a href="https://www.cecartslink.org/participant/davor-sanvincenti/">Davor Sanvincenti</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.cecartslink.org/participant/davor-sanvincenti/embed/#?secret=tF9tfSCGEu" width="600" height="338" title="“Davor Sanvincenti” — CEC ArtsLink" data-secret="tF9tfSCGEu" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.cecartslink.org/wp-includes/js/wp-embed.min.js </script> https://www.cecartslink.org/wp-content/uploads/2021/05/2012_Davor_Sanvincenti.jpg11811179Sanvincenti investigates the boundaries of human perception and the construction of experience through audiovisual installations, social and urban interventions and live multimedia performances. By immersing viewers in evocative perceptual environments, he encourages them to question and expand their cognitive and emotional maps. In 2010, Sanvincenti was the recipient of the Radoslav Putar Award for the […]