1.0CEC ArtsLinkhttps://www.cecartslink.orgrich600338<blockquote class="wp-embedded-content" data-secret="JJMC0aMJeV"><a href="https://www.cecartslink.org/participant/haig-aivazian/">Haig Aivazian</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.cecartslink.org/participant/haig-aivazian/embed/#?secret=JJMC0aMJeV" width="600" height="338" title="“Haig Aivazian” — CEC ArtsLink" data-secret="JJMC0aMJeV" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.cecartslink.org/wp-includes/js/wp-embed.min.js </script> https://www.cecartslink.org/wp-content/uploads/2021/03/Haig-Aivazian-1024x768-1.jpg1024768Artistic Co-Director of Beirut Art Center, Haig Aivazian is an artist working across a range of media and modes of address. He delves into the ways in which power embeds, affects and moves people, objects, animals, landscape and architecture. Haig has explored apparatuses of sovereignty at work in sports, museums, the office and music. Website