{"id":5445,"date":"2020-12-09T21:16:05","date_gmt":"2020-12-09T21:16:05","guid":{"rendered":"http:\/\/cecartslink.wpengine.com\/?post_type=session&p=5445"},"modified":"2021-11-19T02:48:37","modified_gmt":"2021-11-19T02:48:37","slug":"artslink-assembly-2019","status":"publish","type":"session","link":"https:\/\/www.cecartslink.org\/session\/artslink-assembly-2019\/","title":{"rendered":"ArtsLink Assembly 2019"},"content":{"rendered":"\t\t
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\n\t\t\t\t\tUse the future wisely, by Ivaylo Hristov, Bulgaria<\/a><\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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ARTSLINK ASSEMBLY 2019<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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GLOBAL WARNING: ARTISTS AND THE ANTHROPOCENE<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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NOVEMBER 13, 2019
BARUCH PERFORMING ARTS CENTER, NYC<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A transnational meeting of artists, organizations, and activists focusing on ecology, social inequality, cultural mobility, rising nationalism, forced migration, and cultural reconstruction <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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CEC ArtsLink presented the first full annual ArtsLink Assembly in New York City on November 13th, 2019 at Baruch Performing Arts Center.\u00a0<\/p>

An essential professional and public forum, ArtsLink Assembly 2019 advocated for local and international engagement, offered challenging examples, explored significant questions, and proposed new thinking. Most of all, ArtsLink Assembly 2019 sought to inspire us all to renewed energy and action. How can we all better support local and international artists in their vital work on the frontlines of social change? Issues focused on ecology, social inequality, cultural mobility,\u00a0rising nationalism,\u00a0forced migration, and cultural reconstruction.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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PROGRAM AND VIDEOSTREAMS<\/a><\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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SPEAKERS <\/a><\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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FUNDERS AND PARTNERS<\/a><\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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PAST ASSEMBLIES<\/a><\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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DONATE<\/a><\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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PROGRAM and videostreams<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u201cUse the future wisely\u201d \n\n<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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From the LIGHTFLIGHT series by Ivaylo Hristov, ArtsLink International Fellow 2019, Bulgaria. This and other select aphorisms from the artworks by Ivaylo Hristov were displayed on the screen throughout the Assembly.<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Welcome \/ Land Acknowledgement: Hadrien Coumans, Co-Director, Lenape Center, NYC<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Welcome \/ Context: Simon Dove, Executive Director, CEC ArtsLink, NYC<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Amy Goodman, Host and Executive Producer, Democracy Now!, New York City<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Martyna Marciniak, Researcher, Forensic Architecture, University of London, UK, via video link<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Selma Banich, ArtsLink International Fellow, Croatia, \nand Megha Ralapati, Hyde Park Arts Center, Chicago, IL<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Noura Murad, Artistic Director, Leish Troupe, Damascus, Syria, via video-link<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ivana Ivkovic, ArtsLink International Fellow, Croatia<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mike de Seve, President, Baboon Animation, NYC<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Slava Ptrk, ArtsLink International Fellow, Russia<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Khaled Barakeh, artist and activist, Syria\/Germany<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ada Mukhina, ArtsLink International Fellow, Russia<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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Frances Negron-Muntaner, filmmaker, Puerto Rico\/USA<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sasha Kurmaz, ArtsLink International Fellow, Ukraine<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Marianna Dobkowska, Curator, Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Maija Rudovska, ArtsLink International Fellow, Latvia<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Rusanda Curca, ArtsLink International Fellow, Moldova<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Kateryna Rusetska, ArtsLink International Fellow, Ukraine<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A Miracle or Misunderstanding: Socially Engaged Practices in Armenia, Azerbaijan, Belarus, Georgia, Kazakhstan, Kyrgyzstan, Moldova, Tajikistan, Ukraine, and Uzbekistan<\/a><\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Susan Katz, Program Director, CEC ArtsLink, St. Petersburg, Russia presents CEC ArtsLink's new publication <\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Artem Loskutov, artist, Moscow\/Novosibirsk, Russia<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jonathan Slaght, Wildlife Conservation Society, Russia and N.E. Asia<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
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Amanda Abi Khalil, independent curator, Lebanon, Soros Arts Fellow 2019<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fatin Zaqtan, ArtsLink International Fellow, Palestine, and Eriola Pira, Vera List Center for Arts and Politics, New School, NYC<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Migrant Climate in the Kinocene<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Thomas Nail, author and Associate Professor of Philosophy, University of Denver, CO<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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International Artist Mobility and the Future of US Civil Society <\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Panel discussion with Michelle Coffey, Lambent Foundation, NYC; Matthew Covey, TAMIZDAT, NYC; Barbara Lanciers, Trust for Mutual Understanding, NYC; Kim Chan, National Sawdust, NYC; and Megha Ralapati, Hyde Park Arts Center, Chicago, IL<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Due to technical difficulties, some music cues may overlap with speaker’s audio<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Amanda Abi Khalil is an independent art worker and curator based between Beirut and Rio de Janeiro, founder of Temporary Art Platform (TAP), a curatorial platform focusing on social and public art practices. She works across disciplines and formats. Her projects investigate forms of social engagement and commoning through art and cultural practices in and from the Global South.<\/p>\n\n\n\n

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selma banich (1979, Yugoslavia) is an artist, activist and community organizer. Her socially engaged art practice is grounded in explorative, processual, and activist work, and is politically inspired by anarchism and feminism. selma has worked independently and in collaboration with other artists, curators, groups, and initiatives in the Balkans, Europe, and the US. She has participated in numerous dance, theater, and opera productions as a choreographer, and has also performed on film. She participates in local and transnational solidarity initiatives related to the ongoing feminist, anti-fascist, migrant, and workers\u2019 struggles. Currently, those initiatives are Zagreb Solidarity City, Transbalkan Solidarity and For BREAD.<\/p>\n

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Khaled Barakeh is a conceptual artist and cultural activist whose works revolve around power structures in the context of politics, identity and culture. Considered part of a global artivism movement, he approaches creative practices as a tool of social change. As a continuation of these activities he has founded the non-profit CoCulture, focused on connecting and empowering cultural producers worldwide. <\/p>\n\n\n\n

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Kim Chan is Deputy Director for Advancement at National Sawdust, a music incubator in Brooklyn. She has worked extensively in Washington, D.C. and New York to leverage the civic power of arts and culture in shifting public discourse and fortifying a more just and democratic world. She is a board member for Ping Chong + Company and Pick-Up Performance Co(s).\u00a0Her work has investigated issues of cross-border relationships, free expression, and racism with artists and organizations such as Souleymane Koly, Bernice Johnson Reagon, Guillermo G\u00f3mez-Pe\u00f1a, Toni Blackman, Yo Yo Ma\u2019s Silk Road Project, Afro Cuba de Matanzas, GALA Hispanic Theatre, and APAP where she worked on the start-up of the international festivals Globalfest and Under the Radar.\u00a0<\/p>\n\n\n\n

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Michelle Coffey is the Executive Director at Lambent Foundation in NYC. She designs, implements and furthers the strategic agenda, leadership and vision of the Foundation. Prior to the creation of Lambent Foundation, and she was Director of Starry Night Fund and Senior Philanthropic Advisor at Tides Foundation. With a global lens, her areas of focus included Human Rights, Women\/Girls, Criminal Justice Reform, Arts and Culture and HIV\/AIDS. In addition, Michelle serves on the national boards of The Schott Foundation for Public Education and the Brownsville Multi-Service Family Health Care Center in East New York.<\/p>\n\n\n\n

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Hadrien Coumans is a Co-founder and Co-director of Lenape Center, Advisor for wellbeing \/ peacemaker.<\/p>\n\n\n\n

Website<\/strong><\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Matthew Covey is the co-founder and executive director of Tamizdat, a nonprofit with the mission of facilitating international cultural exchange. He has presented and chaired panels on artist mobility issues at numerous conferences, including SXSW, WOMEX, Folk Alliance, APAP, and many others. In 2015 he launched Tamizdat\u2019s affiliated law firm, CoveyLaw, which has quickly become the U.S.\u2019s leading authority and advocate for arts immigration. <\/p>\n\n\n\n

Matthew is admitted to the New York Bar, and is also president of Howard Zinn\u2019s Voices of a People\u2019s History of the United States.<\/p>\n\n\n\n

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Rusanda Curc\u0103 is a cultural worker, environmental and civic activist living in H\u00eertop village, Republic of Moldova. She is a co-director of the Center for Cultural Projects Arta Azi, with a focus on developing the theatre sector in the country. Rusanda serves as a co-director of the Coalition of the Independent Cultural Sector of Moldova. This umbrella organization works to consolidate the independent cultural sector in the country with the goal of improve the legislation in the field of culture through advocacy activities.<\/p>\n\n\n\n

The Future Fellow Manifesto<\/a><\/strong> (video)
The Future Fellow Podcast<\/a><\/strong>
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Mike de Seve is President of Baboon Animation in NYC. He is an Emmy-nominated animation writer and director, working in both feature films and television.\u00a0 As a director-writer at Dreamworks, he served as a sequence director and story consultant on\u00a0Madagascar<\/em>, and as a story consultant on several films including\u00a0Shrek 2, Shrek The Third<\/em>\u00a0and\u00a0Monsters Vs. Aliens<\/em>. <\/p>\n\n\n\n

Mike has served as Head Writer\/Story Editor on the Nick\/Teletoon hit\u00a0Rocket Monkeys<\/em>, Fox Kids’\u00a0Viva Pinata<\/em>\u00a0and the forthcoming season of YFE’s\u00a0Heroes of The City<\/em>. He’s a contributor to many international hits including the current season of\u00a0Arthur and the Boomerang<\/em>\u00a0series\u00a0Jelly Jamm<\/em>; and written and directed animated shows for Dreamworks, Cartoon Network, NBC, NICK and Disney, THE CW, WB and FOX TV. His other work includes directing the full 7 seasons of the original\u00a0Beavis and Butt-Head<\/em>\u00a0series, for which he earned that show its Emmy nomination;\u00a0 sequence writing\/directing on the Beavis and Butt-Head feature film; and writing and\/or directing multiple animated\u00a0Sesame Street<\/em>\u00a0and\u00a0Saturday Night Live<\/em>\u00a0segments.\u00a0<\/p>\n\n\n\n

Website<\/strong><\/a>
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Marianna Dobkowska\u00a0is a curator of residencies,\u00a0projects and exhibitions and a co-creator of the residency program at Ujazdowski Castle Centre for Contemporary Art in Warsaw. She sees curatorial practice as a\u00a0tool for building relations and situations based on long-term and often international collaboration,\u00a0combining practices of the visual and performative arts,\u00a0education and activism.<\/p>\n

Marianna is also a co-author and co-curator \u00a0of the international curatorial seminars Re-Directing: East (2013\u2013current), two-year project Social Design for Social Living (2015-2016) presented as part of 2015 Jakarta Biennale and at the National Gallery of Indonesia in Jakarta as well as the exhibition-meeting Gotong Royong: Things We Do Together (2017-2018) at Ujazdowski Castle Centre for Contemporary Art. Lastly, Marianna is a recipient of two scholarships from the Minister of Culture and National Heritage (2012, 2016); a CEC Artslink Fellow (New York); and a Backers Foundation (Tokyo) fellow.<\/p>\n

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An experienced arts manager, curator and policy maker, Fatin Farhat is the founding director of the Palestine Observatory for Cultural Policy, where she curates and manages projects that foster community participation through the arts. <\/p>\n\n\n\n

Fatin has overseen a broad spectrum of cultural initiatives and artistic programs from street festivals to municipal policy. Currently she is working on her Ph.D. from Hildesheim University (Germany) and examining the potential that grassroots initiatives and the local government can play in fostering community engagement and cultural development in Palestine. Fatin is currently developing a new art and community program \u2013 In Our Houses<\/em> \u2013 in Kobar village in the West Bank, where the inhabitants become curators, organizing and presenting shows in the village\u2019s houses and gardens. <\/p>\n\n\n\n

Passionately interested in community-based art, Fatin wanted to engage in projects that involve the Arabic community in the US. In the climate of Islamophobia and racism, she was interested in exploring art as a form of resistance and resilience for marginalized communities. She believes the gap between the US and her home region is widening and that artistic cooperation is a powerful and vital instrument to foster deeper understanding.<\/p>\n\n\n\n

The Future Fellow Podcast<\/a><\/strong><\/p>\n\n\n\n

Facebook<\/a><\/strong><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Amy Goodman is the host and executive producer of Democracy Now!, a national, daily, independent, award-winning news program airing on over 1,500 public television and radio stations worldwide. The Nieman Foundation for Journalism at Harvard honored Goodman with the 2014 I.F. Stone Medal for Journalistic Independence Lifetime Achievement Award. She is also the first journalist to receive the Right Livelihood Award, widely known as the ‘Alternative Nobel Prize’ for \u201cdeveloping an innovative model of truly independent grassroots political journalism that brings to millions of people the alternative voices that are often excluded by the mainstream media.\u201d <\/p>\n\n\n\n

Amy has co-authored six\u00a0New York Times<\/em>\u00a0bestsellers. Her latest,\u00a0Democracy Now!: Twenty Years Covering the Movements Changing America<\/em>, looks back over the past two decades of Democracy Now! and the powerful movements and charismatic leaders who are re-shaping our world.\u00a0<\/p>\n\n\n\n

Website<\/a><\/strong><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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An installation, sculpture, photo and video artist, Ivaylo Hristov\u2019s work is often based on questions related to the objectives of space missions, but in the context of everyday life. Where to look for wealth? What is truly valuable today? How do we see our own future and the future of the planet and humanity? In his exploration of the problems of the modern world and the role of humans in the era of robotization and digitization, Ivaylo closely collaborates with communities collecting and documenting narratives, interviews and stories. His current solo exhibition LIGHTFLIGHT explores the topic of the cosmos and the boundaries of what is possible. <\/p>\n\n\n\n

During his residency, Ivaylo intended to meet with members of both scientific and non-scientific communities to learn about their perspectives on current events and scientific achievements in space and how they affect people\u2019s everyday lives and dreams.<\/p>\n\n\n\n

Website<\/a><\/strong>
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In a time marked by a proliferation of digital technologies, neo-liberalism and growing nationalism, theater artist and playwright Ivana Ivkovic, examines ways to open up spaces for public engagement and collective agency and encourage social solidarity. Her current research is rooted in the civic and professional sense of urgency around the global crisis created by growth-based neoliberal capitalism and peoples\u2019 concurrent loss of a sense of belonging. <\/p>\n\n\n\n

Being deeply interested in the destabilization of a theatrical act as an act of performance, an act of spectating and an act of communication, her work produces more problems than attempts at unequivocal understanding, immersion and identification. Drawing inspiration from her work with dancers, her recent work is focused around a study on pedestrian walking practices from meditation walks to protest marches. <\/p>\n\n\n\n

Through her residency Ivana wanted to engage with artists, organizations and community groups that question the public sphere; namely, what is and isn\u2019t allowed and how can this reshape the political reality and further develop the sense of communality.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Through his work, photographer and activist Sasha Kurmaz analyzes modern society and the ways it can be influenced by an artist\u2019s practice. Driven by socio-political issues, Sasha immerses himself in a local environment, exploring local social conditions, their historical backgrounds, and their political context. This deep research informs his work and resonates with the place where it is created and presented. <\/p>\n\n\n\n

Sasha is editor and designer of 5.6, an independent Ukrainian photography magazine, and has shown his work in numerous exhibitions, the most recent of which is Revolutionize<\/em>, an international research and exhibition project demonstrating that the aspiration for freedom, decent living standards, and respect for fellow citizens are the universal values shared by all people around the world. <\/p>\n\n\n\n

During his residency in the US, Sasha wanted to meet with members of artistic communities, activists, researchers and urbanists. He is particularly interested in grassroots initiatives and innovative networks of activists and organizations that explore practical solutions for sustainable development.\u00a0

Website<\/a>
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Barbara Lanciers\u00a0is the Director of the Trust for Mutual Understanding (TMU), a private American foundation that funds professional exchanges in the arts and environment conducted in partnership with institutions and individuals in Central, East, and Southeast Europe; the Baltic States; Central Asia; Mongolia; and Russia.\u00a0<\/p>\n\n\n\n

Barbara was a Fulbright Scholar with the Hungarian Theatre Museum and Institute. She has written independent articles on American performance for\u00a0Szinhaz<\/em>\u00a0Hungarian theater magazine and\u00a0Didaskalia<\/em>\u00a0Polish theater magazine.\u00a0She is the director and co-creator of\u00a0Kaddish<\/em>, a staging of Hungarian Nobel Prize-winning author Imre Kert\u00e9sz\u2019s novel\u00a0Kaddish for an Unborn Child<\/em>.\u00a0<\/p>\n\n\n\n

Website<\/strong><\/a>
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Martyna Marciniak is a Researcher at Forensic Architecture at the University of London, UK. Forensic Architecture (FA) is a research agency, based at\u00a0Goldsmiths, University of London<\/a>.\u00a0The agency undertakes advanced spatial and media investigations into cases of human rights violations, with and on behalf of communities affected by political violence, human rights organizations, international prosecutors, environmental justice groups and media organizations. <\/p>\n\n\n\n

Martyna now works as a Researcher at Forensic Architecture. She studied\u00a0architecture in London, where she currently lives.\u00a0\u00a0She creates spatial narratives that explore the connections between body and space in choreographic works, films and animated sculptures.\u00a0Martyna is the winner of the Bauhaus Residency Programme\u2019s Open Call 2017.\u00a0<\/p>\n\n\n\n

Website<\/strong><\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Noura is an actress, choreographer, and the founder and artistic director of Leish Troupe, a Syrian physical theater. Since 2001, she has been supervising and organizing workshops in Syria, Jordan, Lebanon, and Dubai. Murad participated in many conferences in the region and abroad. <\/p>\n\n\n\n

Noura served as a member in the jury of the Philadelphia Festival for University Theater in 2005-2006. In 2009, she co-organized the 1st Damascus Contemporary Dance Platform. In 2013 – 2019, and she also taught Physical Theatre and Contemporary Performing Arts classes at the Higher Institute of Dramatic Arts in Damascus at Acting, Dance, Scenography and Technical departments. Noura headed the Dance Department between 2013- 2015 and as an actress, she has played many roles in theater, television, radio and cinema.<\/p>\n\n\n\n

Facebook<\/a><\/strong>
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Thomas Nail is an Associate Professor of Philosophy at the University of Denver. He is the author of\u00a0Returning to Revolution: Deleuze, Guattari and Zapatismo<\/em>\u00a0(Edinburgh University Press, 2012),\u00a0The Figure of the Migrant<\/em>\u00a0(Stanford University Press, 2015),\u00a0Theory of the Border<\/em>\u00a0(Oxford University Press, 2016),\u00a0Lucretius I: An Ontology of Motion<\/em>\u00a0(Edinburgh University Press, 2018),\u00a0Being and Motion<\/em>\u00a0(Oxford University Press, 2018),\u00a0Theory of the Image<\/em>\u00a0(Oxford University Press, 2019),\u00a0Lucretius II: An Ethics of Motion<\/em>\u00a0(Edinburgh University Press, forthcoming 2020) and\u00a0Marx in Motion<\/em>\u00a0(Oxford University Press, 2020).<\/p>\n\n\n\n

His publications can be downloaded at this\u00a0website<\/a>. <\/p>\n\n\n\n

Website<\/a><\/strong>
Twitter<\/a><\/strong><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Frances Negr\u00f3n-Muntaner is a filmmaker, writer, scholar and professor at Columbia University, where she is also the founding curator of the\u00a0Latino Arts and Activism Archive. She is also the author of\u00a0Boricua Pop: Puerto Ricans and the Latinization of American Culture<\/em>\u00a0(CHOICE Award, 2004),\u00a0The Latino Media Gap<\/em>\u00a0(2014), and\u00a0Sovereign Acts: Contesting Colonialism in Native Nations and Latinx America<\/em>\u00a0(2017).\u00a0Her most recent films include\u00a0Small City, Big Change<\/em>\u00a0(2013),\u00a0War for Guam<\/em>\u00a0(2015) and\u00a0Life Outside<\/em>\u00a0(2016).\u00a0<\/p>\n\n\n\n

Frances has received Ford, Truman, Rockefeller, and\u00a0Pew fellowships. In 2008, the United Nations’ Rapid Response Media Mechanism recognized her as a global expert in the areas of mass media and Latin\/o American studies.\u00a0She is also a recipient of the Lenfest Award, one of Columbia University’s most prestigious recognitions for excellence in teaching and scholarship\u00a0(2012); an inaugural OZY Educator Award\u00a0(2017); the Latin American Studies Association\u2019s 2019 Frank Bonilla Public Intellectual Award, and the 2019 Media Trailblazer Award from the National Association of Latino Independent Producers. <\/p>\n\n\n\n

In 2019, Frances launched\u00a0Valor y Cambio<\/a>,\u00a0an art, digital storytelling and just economy project in Puerto Rico\u00a0and New York for which she was awarded the 2019 Premio Borimix from the Society for Educational Arts in New York.\u00a0<\/p>\n\n\n\n

Website<\/strong><\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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PARTNERS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The ArtsLink Assembly 2019 was organized by CEC ArtsLink. Livestream was produced and supported by HowlRound TV, a global, commons-based, peer produced, open access livestreaming and video archive.<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Use the future wisely, by Ivaylo Hristov, Bulgaria ARTSLINK ASSEMBLY 2019 GLOBAL WARNING: ARTISTS AND THE ANTHROPOCENE NOVEMBER 13, 2019 BARUCH PERFORMING ARTS CENTER, NYC A transnational meeting of artists, organizations, and activists focusing on ecology, social inequality, cultural mobility, rising nationalism, forced migration, and cultural reconstruction CEC ArtsLink presented the first full annual ArtsLink […]<\/p>\n","protected":false},"featured_media":0,"template":"elementor_header_footer","class_list":["post-5445","session","type-session","status-publish","hentry"],"acf":[],"yoast_head":"\nArtsLink Assembly 2019 - CEC ArtsLink<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cecartslink.org\/session\/artslink-assembly-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ArtsLink Assembly 2019 - 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