{"id":5442,"date":"2020-12-09T21:11:53","date_gmt":"2020-12-09T21:11:53","guid":{"rendered":"http:\/\/cecartslink.wpengine.com\/?post_type=session&p=5442"},"modified":"2021-05-11T21:17:07","modified_gmt":"2021-05-11T21:17:07","slug":"art-prospect-festival-2020","status":"publish","type":"session","link":"https:\/\/www.cecartslink.org\/session\/art-prospect-festival-2020\/","title":{"rendered":"Art Prospect Festival 2020"},"content":{"rendered":"\t\t
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\n\t\t\t\t\tI Can Feel The Distance, Fedor Hiroshige, Russia<\/a><\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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ART
PROSPECT
FESTIVAL
2020<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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treasure hunt<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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7th ANNUAL INTERNATIONAL PUBLIC ART FESTIVAL<\/h5>
October 15 – 18, 2020<\/h5>
Online and on-site locations in 25 cities in 13 countries<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Festival schedule<\/a><\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The 7th Art Prospect Festival: Treasure Hunt, a hybrid online\/offline public art festival, featured interventions and Augmented Reality works by more than 50 artists from 13 countries.<\/p>

The 2020 Festival responded to how the COVID-19 pandemic had changed our world, transformed how we view and utilize public spaces, forced isolation, and made in-person communication and collaboration a challenge.\u00a0<\/p>

The Festival documented the treasures revealed in the time of rapid change. What was important to us, which details of everyday life will we remember, what objects or facts will \u201ctreasure hunters\u201d find? The treasures are not always tangible; they can come in the form of a secret, a special feat, an emotion, or something intimate that needs to be preserved.<\/p>

Installations, performances, and Augmented Reality art works on balconies, windows, sidewalks, and courtyards were available for viewing in-person in 25 cities on October 15-18 and online at www.artprospect.org. The work could also be experienced on an interactive map on a mobile app. Online panel discussions with Art Prospect artists and curators on October 15 and 16 at the ArtsLink Assembly focused on the pandemic\u2019s impact on the practice of the artists working in public spaces and addressed social issues with a particular focus on the artists in the post-Soviet countries.<\/p>

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Inside Out: Art Prospect 2020. How social distancing, Covid, and digital technology are changing our concept of public space.<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A conversation with Kendal Henry, Director of Percent for Art, New York, and Art Prospect artists Anne Albagli, USA; Olesya Ilyenok, Russia; Nadya Sayapina, Belarus; Nastya Babitskaya, Russia; and Lera Lerner, Russia. Livestream recording with English audio translation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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funders<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The 2020 Art Prospect Festival is supported by the Trust for Mutual Understanding, U.S. Embassy in Moscow, Office for Contemporary Art Norway, FRAME, and the Kettering Family Foundation.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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2020 FESTIVAL: interventions in 12 countries<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAustralia<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Sarah Burrell (Melbourne),\u00a0<\/a>Hello Wanderer<\/em><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Gafar Rzayev (Ganja),\u00a0<\/a>Boy with White Bedsheet<\/a><\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Alice Murlina (Minsk),\u00a0<\/a>Home2020<\/a><\/em><\/p>

Nadya Sayapina (Minsk),\u00a0<\/a>Trash Art Cache<\/a><\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Mikheil Sulakauri (Tbilisi),\u00a0<\/a>Be Careful What You Wish For<\/a><\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Pasha Cas (Almaty),\u00a0<\/a>One-Person Protest<\/a><\/em><\/p>

Meruert Kunakova (Almaty),\u00a0<\/a>Shash<\/em>\u00a0(Kazakh for \u201chair\u201d)<\/a><\/p>

Mariam Talibjanova (Almaty),\u00a0<\/a>Secrets of My Wise Grandmother\u2019s Bequest<\/a><\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Diana U (Bishkek),\u00a0<\/a>Ow \/ Moon<\/a><\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Ciprian Antoci (Chisinau),\u00a0Bricks<\/em><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Nastia Babitskaya (St. Petersburg, Russia),\u00a0Vacation<\/em><\/a><\/p>

Anna and Vitaly Chereponov (Yekaterinburg, Russia),\u00a0Autumn in a Collective Garden<\/em><\/a><\/p>

Tanya Chernomordova (St. Petersburg, Russia),\u00a0Murav’inaya Skhvatka (Ant Fight)<\/em><\/a><\/p>

Liubov Chernysheva (St. Petersburg, Russia),\u00a0WindOurs<\/em><\/a><\/p>

Karina Dracheva (St. Petersburg, Russia),\u00a0I Danced Here<\/em><\/a><\/p>

Fedor Dubrovin (Khyymalakasy, Chuvash Republic, Russia),\u00a0Our House (Consumers)<\/em><\/a><\/p>

Ulyana Erokhina (St. Petersburg, Russia),\u00a0Let\u2019s Warm This Time Up<\/em><\/a><\/p>

Tonya Fa (St. Petersburg, Russia),\u00a0Flight Cancelled<\/em><\/a><\/p>

Fedor Hiroshiga (St. Petersburg, Russia),\u00a0I Can Feel the Distance<\/em><\/a><\/p>

Nadia Ishkinyaeva and Marina Shamova (St. Petersburg, Russia),\u00a0Paths of Care<\/em><\/a><\/p>

Evgeny Korelin (St. Petersburg, Russia) and Yulia Vedernikova (Perm, Russia),
Your Inner Space<\/em><\/a><\/p>

Nastya Makarenko and Anna Tereshkina (St. Petersburg, Russia),\u00a0Alarm System<\/em>
(a play in lights)<\/em><\/a><\/p>

Alexandra Melnikova (Tyumen, Russia),\u00a0Safe Distance<\/em><\/a><\/p>

MorMir20 (PlagueWorld20) (St. Petersburg, Russia),\u00a0Group Exhibition at Kunsthalle nummer sieben<\/a><\/p>

Konstantin Novikov (St. Petersburg, Russia),\u00a0Wind Catcher<\/em><\/a><\/p>

Punctuation<\/em> (Yekaterina Polyakova, Natalya Tikhonova, Ivan Shatravin-Dostov),
(St. Petersburg, Russia),\u00a0Green Corridor<\/em><\/a><\/p>

Vladimir Seleznyov (Yekaterinburg, Russia),\u00a0Window Suprematism<\/em><\/a><\/p>

Alexander Shishkin-Hokusai (St. Petersburg, Russia),\u00a0Firefighter Fountain<\/em><\/a><\/p>

Daria Taran (St. Petersburg, Russia),\u00a0Legends and Myths<\/em><\/a><\/p>

Techno Poetry (Anton Komandirov, Anastasia Vepreva, Roman Osminkin, and Maria Shamova) (St. Petersburg, Russia),\u00a0No Gatherings of More than Two<\/em><\/a><\/p>

Galya Yaptik (St. Petersburg, Russia),\u00a0\u201cOur\u201d Home Photo Studio on the Balcony<\/a><\/p>

Sasha Zubritskaya (St. Petersburg, Russia),\u00a0Penultima<\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tRussia: Augmented Reality at the Ivan Gaza Palace of Culture, St. Petersburg<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Vladimir Abikh (St. Petersburg, Russia),\u00a0Time Has Passed<\/em><\/a><\/p>

Annie Albagi (San Francisco, CA),\u00a0A Breath Together<\/em><\/a><\/p>

APXIV (ARCHIVE) (Russia, Germany, England), ANTIfrieze<\/em><\/a><\/p>

Dagnini (Moscow, Russia),\u00a0Attention Choir<\/em><\/a><\/p>

Deus ExCavator (Kerim Ragimov and Petr Shvetsov, St. Petersburg),\u00a0John Silver<\/em><\/a><\/p>

Joshua Goode (Fort Worth, Texas),\u00a0The Discovery of the Chupacabra<\/em><\/a><\/p>

Olesya Ilenok (Yekaterinburg, Russia),\u00a0Wall_for_scroll<\/em><\/a><\/p>

Dmitri Kavka (Moscow, Russia), Tautobot<\/em> (from the Greek \u03c4\u03b1\u1f50\u03c4\u03cc\u03c2, \u201cthe same\u201d + bot)<\/a><\/p>

Anna Martynenko (St. Petersburg, Russia)\u00a0Stone Masonry<\/em><\/a>\u00a0and\u00a0The Parrots of DK Gaza<\/a><\/em><\/p>

Nikita Seleznev (St. Petersburg, Russia),\u00a0The tulips are too excitable\u00a0\u2013\u00a0it\u2019s winter here<\/em><\/a><\/p>

Navid Tschopp (Zurich, Switzerland),\u00a0The Third Grid<\/em><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Khurshed Rasulzade (Dushanbe),\u00a0<\/a>Rapunzel<\/a><\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tUkraine<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Victoria Myronyuk (Kolomiya),\u00a0<\/a>What happens next, for instance<\/a><\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tUSA<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Andy Graydon (Minneapolis, MN),\u00a0<\/a>Great Refractor Listening Station <\/a>(Breathing Room St. Petersburg)<\/a><\/em><\/p>

Alisa Dworsky & Danny Sagan (Montpelier, VT),<\/a>\u00a0Interspace<\/em><\/a><\/p>

Theresa Columbus, Skyler Fort, Megan Lovely & Tavia La Follette (Baltimore, MD),<\/a>Exposure<\/a><\/em><\/p>

KOSMOLOGYM (Harrisonburg, VA), <\/a>Dirtball: Fruiting Body<\/a><\/em><\/p>

Luisa Caldwell (Brooklyn, NY),\u00a0<\/a>I Spy Butterfly<\/a><\/em><\/p>

Will Owen (Philadelphia, PA),\u00a0<\/a>Friendship Games<\/a><\/em><\/p>

Terry S. Hardy (Lawrenceville, GA),\u00a0REMAINING: treasure of memory<\/em><\/a><\/p>

Elana Herzog (Manhattan, NY),\u00a0The Palace at 9am<\/em><\/a><\/p>

Robert Hickman (Brooklyn, NY),\u00a0<\/a>Symbolic Crossing of the 1st Krasnenky Bridge<\/a><\/em><\/p>

Ed Woodham (Brooklyn, NY),\u00a0<\/a>Red String Theory<\/a><\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tUzbekistan<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Vakhid Kazimov (Tashkent),\u00a0<\/a>Tashkent and Seattle: A Story of Sister Cities<\/a><\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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I Can Feel The Distance, Fedor Hiroshige, Russia ARTPROSPECTFESTIVAL2020 treasure hunt 7th ANNUAL INTERNATIONAL PUBLIC ART FESTIVAL October 15 – 18, 2020 Online and on-site locations in 25 cities in 13 countries Festival schedule The 7th Art Prospect Festival: Treasure Hunt, a hybrid online\/offline public art festival, featured interventions and Augmented Reality works by more […]<\/p>\n","protected":false},"featured_media":0,"template":"elementor_header_footer","class_list":["post-5442","session","type-session","status-publish","hentry"],"acf":[],"yoast_head":"\nArt Prospect Festival 2020 - CEC ArtsLink<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cecartslink.org\/session\/art-prospect-festival-2020\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art Prospect Festival 2020 - 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