{"id":14173,"date":"2022-11-16T04:40:51","date_gmt":"2022-11-16T04:40:51","guid":{"rendered":"https:\/\/www.cecartslink.org\/?post_type=participant&p=14173"},"modified":"2025-04-22T18:03:02","modified_gmt":"2025-04-22T18:03:02","slug":"natalia-matsenko","status":"publish","type":"participant","link":"https:\/\/www.cecartslink.org\/participant\/natalia-matsenko\/","title":{"rendered":"Natalia Matsenko"},"content":{"rendered":"\n

Natalia Matsenko is an independent curator, art critic, and lecturer. She focuses on the landscape and environmental transformations, human and non-human communities and networks, new media, and cultural heritage preservation. <\/p>\n\n\n\n

Natalia curated the exhibition “UNFOLDING LANDSCAPES: Landscape and Poetics in Contemporary Ukrainian Art” (Art Center Silkeborg Bad, Denmark \/ Royal Museum of Art and History, Brussels \/ Kunst(Zeug)Haus, Rapperswil, Switzerland, 2022). She also curated the public program and exhibition \u201cLet\u2019s talk about something else\u201d (Kunstmuseum Bochum, Germany, 2022). Since 2018, she has been cooperating with the Landart Symposium “Mohrytsia: The Border Space”, and was a co-curator of the exhibition “Larger Space” (CCA YermilovCenter, Kharkiv, 2019), and of the project “SO WHAT ABOUT THE MAMMOTH? Mohrytsia Epilogue” (The Naked Room Gallery, Kyiv, 2021).<\/p>\n\n\n\n

Natalia\u2019s past curatorial projects include an international art residency BIRUCHIY Contemporary Art Project (“The Habitable Zone”, 2013; “Irshansk. Recreation”, 2015; “From a Common Root”, 2016 (Klementowice, Poland \/ Mystetskyi Arsenal, Kyiv); BIRUCHIY TRANSCARPATHIA 022. ART WAR (2022, The House of Social Innovation, Warszawa), and others.<\/p>\n\n\n\n

Born in Cherkasy, Ukraine, Natalia graduated from the Kharkiv State Academy of Design and Arts with a master’s degree in theory and history of art.<\/p>\n\n\n\n

Facebook<\/a>
Instagram<\/a><\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Photo by Angelica Yefanova<\/em><\/p>\n\n\n\n

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