{"id":12091,"date":"2021-04-20T19:14:20","date_gmt":"2021-04-20T19:14:20","guid":{"rendered":"https:\/\/cecartslink.wpengine.com\/?page_id=12091"},"modified":"2022-08-31T17:09:48","modified_gmt":"2022-08-31T17:09:48","slug":"art-work-and-image-credits","status":"publish","type":"page","link":"https:\/\/www.cecartslink.org\/art-work-and-image-credits\/","title":{"rendered":"Featured Art Work and Image Credits"},"content":{"rendered":"\t\t
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Featured Art Work and Image Credits<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Human Energy<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jessica Segall<\/a>, USA,\u00a0 Art Prospect Residency Fellow 2022. Film still from Human Energy<\/em>. During her Residency at Salaam Cinema<\/a> in Azerbaijan, Jessica focused on our addictive and intimate relationship with oil. Azerbaijan, one of the most prolific oil producing countries, has a unique culture of using crude oil as a medicinal bath and salve. The film considers oil’s toxic legacy as well as its materiality as a medical salve.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Recording the sounds of the landfill <\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Photo by Annie Albagli<\/a>, USA, Art Prospect Residency Fellow 2021. During her Residency at Art East<\/a> in Bishkek, Kyrgyzstan, Annie researched the city landfill, “delving into memories and stories of items discarded to re-contextualize what disintegrates into our air and is then absorbed into our lungs and moves with us in our bodies.”\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"You don't believe me...\"<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Farrah Karapetian<\/a>, USA, Art Prospect Residency Fellow 2021, prepares the installation of the multimedia project “You don’t believe me…”. During her Residency at The Ilkhom Centre for Contemporary Arts<\/a> in Tashkent, Uzbekistan, Farrah researched cotton harvest traditions, collaborated with local people to\u00a0 represent their experiences of picking cotton, and created new artwork.\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mishiko Sulakauri<\/a>, Georgia, ArtsLink International Fellow 2020. Project in collaboration with Unlisted Projects<\/a>, Austin, TX, 2021. Each dotted location on the map was planted and seeded with native milkweed to create a system of support for migrating monarch butterflies, mitigating adverse effects of genetic modification of milkweed.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Be Careful What You Wish For<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mikheil Sulakauri<\/a>, Georgia. Installation at the Art Prospect Festival 2020, St. Petersburg, Russia.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Mariela Gemisheva<\/a>, Bulgaria, ArtsLink International Fellow 2013. Presentation at Carnegie Mellon University, Pittsburgh, PA.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Vitto Valentinov<\/a>, Bulgaria, ArtsLink International Fellow 2014. Interactive installation at the College of Design, Architecture, Art and Planning, Cincinnati, OH.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ivaylo Hristov<\/a>, Bulgaria, ArtsLink International Fellow 2019. Drawing on paper, ink and graphite, handwritten text, from Lightflight series, 2019.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ivaylo Hristov<\/a>, Bulgaria, ArtsLink International Fellow 2019. Drawing on paper, ink and graphite, handwritten text, 18×13 cm, from Lightflight series, 2018.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dan Perjovschi<\/a>, Romania, ArtsLink International Fellow 1995. Drawing on paper, 2021.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ivaylo Hristov<\/a>, Bulgaria, ArtsLink International Fellow 2019. Gold foil and text, 140 x 140 cm. From the open studio exhibition Searching For Gold High And Low<\/em>, DARC, University of California Santa Cruz.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Fabian Knecht<\/a>, Germany, Back Apartment Residency 2019. Part of the Bruch<\/em> show, Alexander Levy Gallery, Berlin, Germany, 2019. Photo taken at the Gulf of Finland.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sergiy Petlyuk<\/a>, Ukraine, ArtsLink International Fellow 2012. Site-specific installation at Dayton Art Institute, Dayton, OH.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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I CAN FEEL THE DISTANCE<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fedor Hiroshige, Russia, project at the Art Prospect Festival 2020, St. Petersburg, Russia. Photo by Ivan Karpov.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Bukhara Dictionary<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Antonina Slobodchikova<\/a>, Belarus, Art Prospect Network Residency 2017. Installation, Bukhara Photo Gallery, Bukhara, Uzbekistan. Photo by Shavkat Boltaev.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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First Community Picnic Participants<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Project by Khurshed Rasulzoda<\/a>, Tajikistan, Art Prospect Network Residency 2017. Part of the Public Facades project, Chisinau, Moldova.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Lines of Bukhara<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Alisher Primkulov<\/a>, Tajikistan, Art Prospect Network Residency 2018. Exhibition, Bukhara Photo Gallery, Bukhara, Uzbekistan.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Iman Aoun<\/a>, Palestine, ArtsLink International Fellow 2013 and 2019<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Artist collaborative\u00a0SuttonBeresCuller<\/a>, Seattle, WA, ArtsLink US Fellow 2015. Site-specific installation, Novi Sad, Serbia.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sever-7 at the IV Art Prospect Festival: Games, St. Petersburg, Russia, 2015. Photo by Ivan Karpov.<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Upon the living body (\u041f\u043e \u0436\u0438\u0432\u043e\u043c\u0443)<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Nadya Sayapina<\/a>, Belarus, Art Prospect Intensive 2019. Performance in Odesa, Ukraine. Photo by Yury Kruchak.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Art Prospect Intensive 2019, Odesa, Ukraine<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Participants left to right: Aigerim Ospanova, Kazakhstan; Alexey Rumyantsev, Tadjikistan; and Olga Zovskaya<\/a>, Ukraine. Photo by Yury Kruchak.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Art Prospect Intensive 2019, Odesa, Ukraine<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Participants left to right: Muratbek Djumaliev<\/a>, Kyrgyzstan; Nadya Sayapina<\/a>, Belarus; Oleksii Salmanov, Ukraine; Armenak Grigoryan, Armenia; and Natasha Marinenko, Ukraine. Photo by Yury Kruchak.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Migrants, Picnic across the border<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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JR, France. Project in Tecate, Mexico – U.S.A., 2017.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Myriam Boulos, Lebanon. Photo for TIME magazine, 2020.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Project by Victoria Myronyuk<\/a>, Ukraine, with the participation of students of the Naukma Theater. Kyiv, Ukraine, Art Prospect Festival 2018. Photographer Alexander Kovalenko.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Featured Art Work and Image Credits Human Energy Jessica Segall, USA,\u00a0 Art Prospect Residency Fellow 2022. Film still from Human Energy. During her Residency at Salaam Cinema in Azerbaijan, Jessica focused on our addictive and intimate relationship with oil. Azerbaijan, one of the most prolific oil producing countries, has a unique culture of using crude […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"give_campaign_id":0,"footnotes":""},"page_type":[],"class_list":["post-12091","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nFeatured Art Work and Image Credits - CEC ArtsLink<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cecartslink.org\/art-work-and-image-credits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Featured Art Work and Image Credits - CEC ArtsLink\" \/>\n<meta property=\"og:description\" content=\"Featured Art Work and Image Credits Human Energy Jessica Segall, USA,\u00a0 Art Prospect Residency Fellow 2022. Film still from Human Energy. During her Residency at Salaam Cinema in Azerbaijan, Jessica focused on our addictive and intimate relationship with oil. 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